Ivy Room Presents


Bryan John Appleby, Tomten

Sun · September 23, 2018

Doors: 7:00 pm / Show: 8:00 pm

$8.00 - $10.00

Tickets at the Door.

This event is 21 and over

Michael James Tapscott is one half of internationally acclaimed fringe folk darlings, ODAWAS, and the lead singer-songwriter of the Bay Area country-folk group, CHINA THE BAND, but also an entire universe unto himself.

Taking psychotropic paths through forgotten exotic literature, extrapolating mysticism from the shag-toothed street peddlers, his is a world of wonder that seethes just below the surface of yer perspective skull jellies. Stitched together from an electric eclectic sonic palette where synthesizers sigh next to the jingle-jangle buzz of 12 steel strings and the plitter-patter purr of cybernetic drum circles.

And here is Michael, eyes wild and green, with his hand outstretched, some secret curling across his lips as they part, and he asks, "Would you to take a journey, old friend?" Assuming you didn't throw up, then hope that's OK. Be excited about where we can go together, regardless of where we might be.
Bryan John Appleby
Bryan John Appleby
Bryan John Appleby is a singer/songwriter and composer living in Seattle, WA. After moving to the Pacific Northwest from Central Coast California in 2007 as a drummer in short-lived indie rock outfit, Bryan switched his focus to guitar and spent several seasons penning the songs that comprised his 2009 EP Shoes for Men and Beasts. Bryan’s early live shows – many of which took place at open mic nights, dubbed “the batting cages” – quickly earned him a reputation as a notable lyricist and a compelling solo performer, often surprising crowded bars and basements to a heady, affecting silence with his clear voice and intricately crafted lyrics.

Over the next few years, Appleby crafted a more expansive batch of songs, and the increasing involvement of a live band added complex and often unexpected instrumental layers to live performances. Following a hugely successful Kickstarter campaign to make possible 2011’s debut LP release Fire on the Vine, he and the band spent much of the next year touring, most significantly in a spot supporting The Head and the Heart’s national tour.

This exposure established Appleby firmly within the thriving NW folk soundscape and garnered enthusiastic support from a widespread community of national and international listeners – Fire on the Vine was named Album of the Week by Bandcamp upon its release, and continues to receive heavy rotation on Spotify, with over 3 million plays for the song “Honey Jars” alone. Appleby’s music has been lauded by KEXP and Sound on the Sound, drawing comparisons to Damien Jurado and Devendra Banhart, and receiving placements in short films and TV. He and the band have performed around the US with Damien Jurado, Blitzen Trapper, Deep Sea Diver, Hey Marseilles, Pickwick, Pure Bathing Culture, and Gold Leaves, among others.

Appleby’s much anticipated forthcoming full-length release The Narrow Valley (November 2015), crafted with Seattle producer Sam Anderson, deals with the sun-bleached landscape of his youth – a dreamy, densely constructed cinematic world more musically tied to the maximalist West Coast pop traditions of outsider California composers like Van Dyke Parks and Brian Wilson than to the folk roots of Appleby’s early work. The Narrow Valley’s orchestral character takes dramatic steps away from heartfelt folk balladry, showcasing Appleby’s deftness in composition and arrangement while still managing to deliver the epic line-by-line lyricism he is known for. Whether re-interpreting the songs with the influence of his long-standing live band (multi-instrumentalist Kyle Zantos, bassist Joe Ruppert, drummer Cole Mauro) or performing alone, his range as a writer and performer continually expands outward, and he maintains his ability to connect with and capture the attention of his audiences.
Brian Noyeswatkins, Lena Simon and Jake Brady grew up in Carmel, Los Angeles, and Seattle, respectively. They absorbed all the timeless and elegant classic LPs they could get their hands on (favorites include: all things Big Star, XO and Either/OR, Hunky Dory, and Rubber Soul). They met each other at art school, and started crafting sweet and subversive pop songs with stately organs and pianos, sweeping guitars, and resplendent harmonies. With a sound both familiar and new they’ve played Pacific NW festivals such as Bumbershoot and Capitol Hill Block Party, a week of shows in Iceland, and have toured the West and East coasts. The songs on their album Wednesday’s Children feature a keen sense of assured swing with shambolic passion. The LP was recorded with engineer Andy Meyer (Tea Cozies, Ghosts I’ve Met). Wednesday’s Children was released on Flat Field Records summer of 2012.
Venue Information:
Ivy Room
860 San Pablo Ave
Albany, CA, 94706